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Tull News Ticker

3/25/07 - Ian Finds the "Best of Acoustic Tull":
A hand picked selection of the best of acoustic Tull and Ian solo tracks is now hitting store shelves.  Find out why Ian's softer side is so enduring: Get the Album!

3/25/07
- Jethro Tull Gets Wired: Or rather, their back catalogue does. The band's releases have finally been given the go for distribution on iTunes and other digital Internet-based services. Visit your favorite online retailer to download your Tull fix!

5/25/06 - Ian Anderson Awarded at "Ivors": Ian Anderson walked away with the Lifetime Achievement award at the Ivor Novello Awards, a yearly songwriting awards show presented yearly by the British Academy of Composers and Songwriters.

5/25/06 - Orchestral Tull Dates in the U.S.: Ian Anderson will be performing shows with various orchestras throughout the U.S. this summer. For more, check the latest tour dates.
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TULL TICKER ARCHIVE

 

Tullworld.com Review of "Stage Left"

Martin Barre Takes "Stage Left"
The new solo effort, entitled “Stage Left”, a nod to his position on the Jethro Tull set is unmistakably a Martin Barre production. Martin’s style of writing and his sound has definitely progressed over the course of his three solo albums, yet it still retains that key sound and style you expect from Martin Barre. His music has a certain finesse to it that you don’t really hear that often anymore. 

The album starts off with a really fun number titled “Count The Chickens” and then traverses a vast musical range of the guitar, from the sometimes raw “Nelly Returns”, to the soft, laid back guitar lines that flow from “Celestial Servings”, to the fast, upbeat acoustic variations on a theme shown off in “D.I.Y.”. Martin will even meld several styles and feelings into a single piece, such as “After You, After Me”, an easy to listen to and thoroughly satisfying piece of guitar work that brings you from flowing electric lines, to lush acoustic guitar and then back to end with some crunchy fiery guitar licks. As Told By, one of my favorite tracks, takes you on a heartfelt acoustic ride with a wonderful mix of acoustic background textures melding with the melodic line, occasionally augmented by a very effective electric sound mixed in the background.

You can tell Martin really takes some care in putting these tracks together, and although they may not be awash with technically challenging, fingers of fire passages, it makes up for it with a great mix of fun and beautiful melodies. Plus, there’s enough of the fast stuff in there to let you know Martin can still throw down those fiery licks like no one’s business.

Reviewed by Patrick Lydon
August 6, 2003

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